:: home
:: search || :: blog || :: scrivi || :: forum
 
Presentazione del sito
Centri di studio -  dipartimenti universitari, organizzazioni di ricerca, associazioni
Riviste on line
Ricercatori, sociologi, antropologi, scrittori
Bibliografie in rete sulla cybercultura
Libri  on line -  libri completi, o versioni on line ditesti a stampa
Saggi e papers on line
articoli da rivistee giornali
Tesi di laurea
video
Forum e blogs - aree di discussione
News -  novità, convegni, congressi, iniziative
Varie
Ricerca per parole chiave
 
 
 

 

Tag: arte

  abstract

saggio

Read_me, Run_me, Execute_me: Software and Its Discontents

Inke Arns
2004


In the past two or so years the term generative art has become fashionable. It can be found in very different contexts, such as academic discourses, media art festivals, industrial design and architecture. Very often, the term is used —if not 100% synonymously for software art —as an equivalent for software art. Somehow generative art and software art are related to each other —but what exactly this relation is, is left mostly in the dark.

In the past two or so years the term generative art has become fashionable. It can be found in very different contexts, such as academic discourses, media art festivals, industrial design and architecture. Very often, the term is used —if not 100% synonymously for software art —as an equivalent for software art. Somehow generative art and software art are related to each other —but what exactly this relation is, is left mostly in the dark. To shed some light on this connection between generative art and software art is thus one aim of this article. The other is to propose the notion of performativity of the code as one of the reasons for contemporary artists’ interest in using software as an artistic material. Performativity of the code in this case refers to its ability to act and perform in the sense of speech act theory.

home